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Nikki Glaser: Bangin’ (2019) – Summary, Review (with Spoilers)



Murphy’s Law: The Battle Over Charter Schools » Urban Milwaukee
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Grappling with a Profoundly Off-Putting New Coming-of-Age Movie
Rebecca Miller, who turned 40 this year, has long been better known as the daughter of Arthur Miller and the wife of Daniel Day-Lewis than as a writer and director in her own right. Gorgeous and eerie, it was so sleekly made that, like one of those Olympic divers with perfect form, it slipped into theaters without making any splash at all. And whereas the earlier film had a strong but unobtrusive sort of beauty, this one is relentlessly and sometimes annoyingly experimental. A triptych of stories about women fleeing men—breathtakingly but sometimes self-indulgently shot on digital video by cinematographer Ellen Kuras—the movie opens with its flattest and weakest section. A middle-aged beauty named Delia Sedgwick escapes an abusive marriage and heads back in the direction of her Catskill, N.




Howard Fuller. Photo from Marquette University. They charge that charter schools have contributed to increased segregation, use discipline in a way that violates student rights, waste money and erode local control of public education. In fact, the increase in federal funding for charter schools during the Obama presidency helped spread the charter school movement, as one commentator for Education Week noted. One summary of public opinion noted that among African Americans about 47 percent support, 29 percent oppose and 24 percent have no opinion of charter schools.